Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Thursday, 15 August 2019

Vasily Vereshchagin

[Click on pics for full size]

Caravan of Yaks loaded with Salt

Last week I turned in edits for a short fantasy story that was set in "Russian Turkestan" - imperial Central Asia in the 19th century. It was inspired by my Silk Road travels of course, but in the course of my research I came across Russian artist Vasily Vereshchagin (1842-1904) and thought I'd share some of his pictures here because he's quite brilliant, was extremely controversial in his lifetime, and deserves to be better known.
 
He painted some places I've been myself! (Only with more severed heads)

Triumph, Registan Square, Samarkand


He's known primarily as a war artist, and he traveled extensively with Russian troops during the Russo-Turkish and Russo-Japanese wars, being both wounded and decorated for his courage (and in fact he eventually died when his ship hit a mine).

At the Fortress Wall

But his emphasis was very much on the horrors of war and he was banned and derided all across Europe for his uncompromising portrayals of just how shitty the military life was...

All Is Quiet - tryptych
Night Halt of the Great Army

... sometimes literally:

Russian Camp in Turkestan

He painted aftermaths of battles, POW corpses, wounded soldiers being abandoned to the crows, and soldiers dying in hospital.


After the Attack
Defeated: Memorial Service

This is his most notorious painting, The Apotheosis of War, which he dedicated "to all conquerors, past, present and to come":


War-paintings aside though,Vereshchagin was an extraordinary recorder of his travels across Asia. He visited India, the Himalayas, Tibet, Siberia,  China, Japan, Cuba, the Phillippines, Palestine and Syria.  He loved painting the landscapes:

Glacier on the road from Kashmir to Ladakh





Mount Kazbek

the people:

Residents of Western Tibet

Chorus of Dervishes, Tashkent

Parsee Priest, Bombay

the ruins;
The Gur-Emir Mausoleum, Samarkand
Ruins in Chuguchak

the temples

Entrance to the Temple of Niko

and OMG the costumes:

Buddiskogo Lama
Warrior of Jaipur

A Rich Kyrgyz Hunter with a Falcon

 If you want to look through (many) more of his paintings there's a good gallery HERE

Saturday, 9 March 2019

Going Greek: William Russell Flint

Chorus and Musicians
Since I've been contemplating things Ancient Greek recently, it seems a good time to dust down (and wipe off) some Homeric pics by William Russell Flint (1880-1969)

Flint was a water-colourist who straddled the boundaries between Classicism and the Modern, commercial illustration and fine art, respectability and soft porn. He was knighted but "enjoyed little respect from art critics, who were disturbed by a perceived crassness in his eroticised treatment of the female figure." He painted illustrations for volumes of The Odyssey, Le Morte d'Arthur, King Solomon's Mines and Chaucer's Canterbury Tales among other family favourites, but he also did about a billion pics of topless ladies in Spanish costume, and OH BOY DID HE LIKE PAINTING TITS.

"Minxes Admonished: an album of deplorable caprices"

So here's some legendary Greek nudes 😍😍😍 mostly painted just before WWI.
Enjoy!











Saturday, 2 March 2019

I'm going to be a Legend

Georges Rochegrosse: Andromache (1883)

What a week! We're still trying to catch up with life after running the Gothic LARP last weekend, but I had a story to turn in too. I sat up until 4 in the a.m.  on Thursday night finishing it, emailed it on Friday morning - and had it accepted on Friday afternoon 😮 My historical fantasy The Price of Passage is now booked to appear in Vol. 3 of the Legends series from Newcon  Press, to my great delight and pride!

The incredibly grim piece of art above shows a scene from the sacking of ancient Troy. Princess Andromache, stripped nearly naked, has been seized by Greek soldiers and is helpless to stop her infant son being carried off by another Greek and dumped to his death off the walls of  the city. The antagonists are posed against a background of hanged, raped and beheaded corpses and a city in flames. Rochgrosse had a bit of a penchant for violence in his paintings, and this one is quite extreme by Victorian standards.

Next ... back to finishing off edits on Lust in the Dust! I'm just such a huge fan of sunny, optimistic themes, clearly ;-)

Wednesday, 13 February 2019

Love and His Counterfeits

For your romantic enjoyment on Valentine's day, here are some rather wonderful paintings by the "last of the pre-Raphaelites," and one of the most popular artists of the Edwardian era, Eleanor Fortescue-Brickdale (1872-1945) on the subject of LOVE. [click to enlarge]:

Love and His Counterfeits (1904)

This picture needs quite a bit of explanation!
"When a girl's soul awakens and she opens the door of her Heart's Castle to receive Love, at first she will not recognise him.
First, she will see Fear and think him to be Love. Fear, in craven armour of black, with no coat of arms or badge to mark his family. But by Fear, Love may come.
Then she will see Romance, being now in love with 'being in love' - Romance, the Boy on a Bubble with a Castle of Dreams in his hand, and Birds and Roses about him. He leads Ambition, who shall stir the girl to think he is Love himself - Ambition, very hot and eager, riding upon Pegasus, the winged Horse.
After them is Position, whom she may take for Love; but truly she is in love with Appearance, Prestige, Importance, Riches, Place, all his Train, and this is borne by a Cupid.
Now she is stirred by Pity, thinking whom she pities she loves - Pity with the Cup of tears with three handles, that many may drink.
Then she perceives Arts, a brave fellow who is but words and emptiness and a mask for love. Arts paints a wound upon him and sings that it is real. To Love he is not henchman, nor cousin, but enemy.
Behind him goes Flattery with a mirror, so she is wooed by vain words. Then Gratitude comes with the smoke of memory, and she will think she is faithless if she does not love one who has been kind.
Now, at last, after her emotion, her assault by gifts, mirrors, riches, tears, dreams, phrases, memories, comes True Love, empty-handed, to take and win her Heart's Castle."


Perhaps Brickdale's most famous painting is The Uninvited Guest (1906) which depicts Cupid hanging out disconsolately at the fringes of a wedding that is all about wealth, appearance and position. Love is not invited here.


Can't get enough of that ol' Symbolism? Here's Chivalry Dying of Love for the Goddess:


(Note the knights all swooning about somewhat over-dramatically, which has entertained Venus enough to give her pause in the procession of olympians.)


Here's much simpler picture, but still full of drama:


The Secret


And my absolute fave, Love and Adversity (1900) in which the protagonist is kept company by Love while (one assumes) his Beloved goes off to marry some rich dude.


Add caption
I means, it's got a hairy dude in bondage at the castle gate - What's not to adore? There's definitely a story waiting to be written for that one!


Thursday, 31 January 2019

The Parrish in winter

White Birches


Since the weather's so cold, let's enjoy some of Maxfield Parrish's luminous winter landscapes...

Moonlit Night: Winter

Parrish (1870-1966) spent most of his life as a commercial illustrator - magazines, advertisments, calendars, children's books etc. - before ending his career as a landscape artist. He was immensely prolific and made an absolute fortune from his work, which was incredibly popular with the general public: the most popular art print of the 20th Century is his Daybreak of 1922.

He achieved his rich effects through careful layering of paints and varnishes. His snowscapes are just psychedelic!

Dusk


Christmas Eve

Christmas Morning

Deep Snow

Lull Brook: Winter
At Close of Day
White Birches: Winter

Winter Sunrise

Saturday, 26 January 2019

Brrrrrrr

A Wooded Winter Landscape with Deer by Peder Mørk Mønsted (1859 - 1941)
Isn't this a beautiful  painting? It fills me with joy.

Thursday, 24 January 2019

Burne-Jones at the Tate


In the Depths of the Sea
(the only picture where anyone is smiling!)

Since I spent a day in London last week, here are some photos I took in the Tate Britain exhibition of the work of Pre-Raphaelite Edward Burne-Jones (1833-98) - which is on for another month: if you want to go, get there EARLY and allow yourself lots of browsing time.


The Annunciation

I'm just sorry that my photos don't give you a proper idea of the SCALE of many of the pieces - which were huge in most cases - nor of the richness imparted by the colour and gilding.


The Wine of Circe

The Pilgrim Outside the Garden of Idleness

The Wheel of Fortune

Love and the Pilgrim

Portrait of Amy Gaskell

They had the whole Perseus Cycle there, in various forms




 -  though some pieces were unfinished



And the whole Briar Rose Cycle too:




 

Burne-Jones and his ilk are wildly unfashionable with critics, but OMG the beauty...

Spirits, or The Uninterrupted Dream

Greatly recommended, for anyone who has a chance to go.