Showing posts with label Love Lies Bleeding. Show all posts
Showing posts with label Love Lies Bleeding. Show all posts

Wednesday, 17 September 2014

Catching up

The new Hungarian cover of the Thrones of Desire anthology :-)




Release Dates:

Cover Him With Darkness has been put back slightly - the official launch date is now 1st November but there will be what they call a soft launch (i.e. the book will actually be for sale) earlier: Amazon listings suggest 14th October.

Fierce Enchantments is set for an e-book release mid-October, with paperbacks to follow late November/ early December.



Fifty Shades of Green:


Fifty Shades of Green is in paperback - Look at my loverly box o' books! I've been sending these review copies out to previously smut-free zones like BBC Gardeners' World and the Royal Horticultural Society. There will be quaking amongst the petunias.



New Anthology:

As Kinky as You Wanna Be is a forthcoming BDSM guide book that addresses practical issues of safety and good etiquette and how not to make your partner run for the hills. It's edited by Shanna Germain and is going to be goddamn brilliant. It also contain some inspirational pieces of fiction, including an excerpt from my story Jump or Fall? which originally appeared in Sweet Love (ed Violet Blue) - the most badly misnamed and mis-marketed erotica/kink anthology ever.

Jump or Fall? is a story I'm particularly proud of - it addresses the issue of responsible sadism in a  kink relationship, and made me nervous to write ... which is usually a good sign. I'm really glad it's getting a second chance.

As Kinky as You Wanna Be will be out in November.

Monday, 1 September 2014

Blue Monday

Every Monday I post a naughty excerpt for your entertainment.

I love this e-cover!

Love Lies Bleeding is my short story contribution to Fifty Shades of Green, (ed Cheri Colburn) the new gardening-themed erotica anthology from Greenwoman Publishing. It's slighty more restrained than some of my erotica, but like - it turns out! - several other contributions to the collection, it is a supernatural tale...



    What was I talking about? Ah, yes. Him.

    He is restoring the grounds around my house. Spring sunlight, returning to earth long shadowed, has resulted in an unexpected treasury of flowers along the margins of the old rides: stunted narcissi and crocuses early in the year, and a nervous carpet of bluebells following on in May. The warmth of the season reveals more of him too. Working mostly alone here, in an area of the gardens long closed off, he sheds his shirt when the weather allows it and labors bare-chested, golden and ruddy. Freckles bloom like tiny flowers across his shoulders, more and more each day, and tiny flecks of soil and cut grass and dry leaves stick to his glistening skin, a patina that makes him scratch pleasurably whenever he pauses to ease his muscles.

    Papa would not approve of that either. He always tried to shield me from such coarse sights, lest I be spoilt for any future husband. But it is such a long time since Papa last came down here to visit me. I can't recall how long exactly … I wonder what he would say if he knew one of his workmen was toiling half-naked within sight of his daughter?

    I watch, illicitly, feeling a thrill I had not known myself capable of.

    His skin is golden, but his nipples are flat and brown, and blondish hair marches down across his chest and belly like an army converging upon the narrower pass beyond his hips. When he is working hard his shoulders are glossy with sweat and droplets run down the declivity of his spine and slip beneath the waistband of his trousers. I want to follow them with my fingers. I want to bite his chest and feel his hot hard flesh beneath my hands. I want to feel the life burning beneath his skin, to press my lips to that fire, to taste it on my tongue.

    He shines. He shines. In my world of shadows and stillness, he glows like a burning lamp. He summons me.

    He is digging a new flowerbed on the southern approach to my home, and I cannot tear my eyes away. But I cannot make myself known.

    Once, greatly daring, I did come out while he was here. My desire was so fierce that day that I could not resist the lure. He'd been laboring all morning a little way off from the house, where the woodland understory was still thick. Maybe he glimpsed my presence at the corner of his eyes, because he would pause and glance about himself occasionally, frowning into the depths of the grove. But he never truly saw me. Resting after his lunch in a cleared dell, he dozed off for a moment, I think, in a patch of sun. I crept in closer under the dense cover of the rhododendrons. There he lay in his open shirt, one arm tucked behind his head to pillow it. His face was peaceful in repose, his lashes long and silky. That broad chest of his rose and fell mesmerically. Beyond the crest of his ribcage, his torso sloped down to the shallower flatland of his stomach, a vulnerable stretch that seemed to crave the touch of my hand. I was close enough to hear his gentle breathing, to smell his sweat, to feel the heat of his blood like a furnace on my face. Almost close enough to reach out to him. My lust for him was an ache bone-deep.

    But he lay in sunlight. I was confined to my shadows.

    Almost as if he felt my gaze upon him in his shallow dreams—and perhaps he did—he woke up abruptly and sat up shivering and looking around him. In my hiding place amongst the dark and glossy leaves, I froze.

    Did I want him to see me? The answer is, I do not know. I have been ill so long, and there are no mirrors in my house. I am no longer entirely sure that I look like the pretty girl I used to be, all ringlets and wide eyes and blossoming maidenly curves. I think I must be pitifully frail and slender now. I don't eat much these days. My appetite comes and goes.

    I like to watch him eat.

    I like to watch when he goes off to empty his bladder against the bole of some tree. There is sometime exquisitely masculine about the way he stands; the insouciant tilt of his hips; the brace of his legs; the satisfied little bounce he gives as he readjusts his clothing afterward.

    He's in the prime of his youth, and male, and working alone. I can see the low burn of the fire that's in his flesh, always. It must be hard to ignore the imperative itch of his potency. That weight he carries between his thighs. I imagine it is burdensome at times. And I sympathize, because my own need is just as cruel.

    Sometimes I see it become too uncomfortable for him to ignore. Then he sets his back to a tree and parts his clothes and stretches taut, milking the seed from his heavy stones with swift, grateful movements. I see it. I see it all. It makes me writhe—not with the shame suited to my maiden state, but with a desire so overwhelming that it can only be felt as hunger, and with envy. Envy of his touch on his own body where mine should be. His hand is brutal in its action, and I wonder if he would treat a woman so forcefully. My curiosity is like a sickness all of its own. 

I wonder what it would have been like to be married to a man like him, to know the trials and pleasures of a woman's marital duties.

    But of course I would not have married a man like him—a mere gardener—if I had been well enough to wed. I would have married a fine gentleman, my social equal. Someone with a grand country estate and a house in town, and ten thousand pounds a year to his name. Not a dirty, unshaven, sweaty gardener whose work-hardened forearms are dusted with sun-bleached hair. Whose callused hands would maul shamelessly my white virginal skin. Whose disrespectful eyes and casual coarseness and sense of humor would make a scullery maid blush.

    He likes the grieving caryatids that flank the stairs to my front door. Pillars in the form of half-draped Grecian women, they hold up the lintel of the veranda that circles my abode, their stony faces solemn and their busts jutting and matronly. When he won his way through the shrubbery, that very first time, the first thing he did was to reach up and fondle the lichened breast of the one on the left, and grin. So pleased with himself.

    It has become a ritual; every day he comes up here with his tools, and before starting work he gives both caryatids a grope, rubbing their stone breasts. If he's in a particularly cheerful mood he might jump up on one of their stone pedestals and embrace one from behind for a private joke, his hands cupping that stone bosom, his crotch bumping her unyielding buttocks.

    Watching him through the crack between the double doors, I would give anything to be that caryatid, then. But all I do is watch.




Love Lies Bleeding is available as a single download from Amazon US : Amazon UK

Or you can buy the whole anthology (including a very naughty F/m tale from fellow Yorkshire writer Slave Nano!) in paperback or e-format instead:
Amazon US : Amazon UK

Wednesday, 9 July 2014

Love Lies Bleeding


Hooray, hooray!
I love a bit of gardening, I do, and of course I love writing smut, so what finer combination can there be for me than an anthology of gardening erotica? Greenwoman Publishing - who produce the literary gardening periodical Greenwoman Magazine - are putting together their first anthology of erotica, Fifty Shades of Green (teehee!), edited by secret erotica writer Cheri Colburn.
"It's going to be our feminist/gardener/literary answer to that . . . other book. And it is going to be hotter than the hottest pepper on the Scoville index of heat. And smart, not smutty. Well, maybe a little smutty."

And my supernatural story Love Lies Bleeding has been accepted!  And I know Nano Vaslen is in there too :-)
Publication is sometime this year, and I'll let you know more as soon as I do.


BTW - this is what "love-lies-bleeding" looks like:


Wednesday, 11 June 2014

Le Petit Mort


I've just subbed a paranormal erotic story - it's a vampire tale, sort of - that verges on horror. Because it was intended for an erotica collection I worked quite hard to keep it sexy rather than scary. Well, too scary, anyway. Let's hope the editor sees it that way!

So I've been thinking about Erotica v. Horror. Two separate genres, though clearly there is a potential overlap as there is between all forms of genre fiction. I actually started out my career writing horror, then switched to erotica (thus, incidentally, working my way down the literary pecking order. Some big name horror writers do write smut, or have done in the past. But they like to keep that a secret).


The two genres actually have a lot in common, I believe:

  • The plot structure is often similar for both genres. They both work really well (best, many might say) as short stories. In both Horror and Erotica the ideal is to end at the dramatic (or literal) climax, with no cooling off period. In longer fiction the aim is to create an ascending ladder of excitement in the reader's mind, based on set-piece scenes interspersed with tension-ratcheting lulls.
  • The author above all aims to evoke a visceral reaction - whether fear or arousal. The best horror or erotica stories bypass the rational brain and go straight to the body. They make the heart race (in both cases) and they make the skin crawl or the genitals swell. These are primaeval responses designed to cope with crisis real-life stimuli, and to be able to evoke these reactions by the written word alone takes a surprising amount of skill. You are wresting control from the reader - and that thrill is exactly what fans like.
  • Because this is a stimulus-response reaction, even the most keen readers in both genres can become jaded. This may lead authors toward a dangerous trap of making the stimulus stronger (MORE BLOOD AND GUTS! / BIGGER ORGIES! HUGE STRAP-ONS!), but this is not a game the writer can win in the long run. Far better, in my opinion, to sneak up on the reader with something they hadn't anticipated, and reveal to them the depths of their vulnerability. If you can convince readers of the devastating allure of a hole in a woollen stocking (like in The Piano) or the terror inherent in a closed door (like in The Monkey's Paw), then you are doing it right as a writer.
  • Both genres are subversive. They aim to convince you to suspend your faith in the laws of society, in the normal tropes of interaction between people, and to accept - temporarily - that there might be other, often more powerful and dangerous, possibilities. They both say "What if the world didn't work the way people tell you it does?" Both genres draw their power from overturning social consensus and restrictions.


If you are interested in reading examples of my erotica that I'd class as horror too, try:
Lord Montague's Last Ride in Cruel Enchantment
Cold Hands, Warm Heart in Dark Enchantment
At Usher's Well in Fierce Enchantments
and Red Grow the Roses.